Sunday, August 05, 2007

The South as a character...

It's hot.

No, really. It's hot.

Standing outside the newly-built St. Mary's Hospital North for the hospital's dedication this afternoon, I felt like I'd stepped back into some old black and white movie, maybe "To Kill A Mockingbird," always set in the South, and always hot.

The heat was oppressive. Hot. Smothering. I've never been more thankful for air conditioning in my life.

Told somebody the other day I think I may write a novel sometime about the South as a character. Throw in its faults and its charms, its quirks and its eccentricities, its uniqueness and its uniformity, and use that heat as part of the plot.

Aah, Faulkner's done it already. Williams. Even Harper Lee in her one beautiful book. But it's a thought.

Tonight I want to park myself in front of the fan and refuse to move. It's getting worse later this week. I dread those afternoons in my toaster oven office.

Tried to watch "Key Largo" tonight. Fell asleep. Couldn't bring myself to screen "Mr. Smith" again. Swallow too much Capracorn and you turn into syrup.

I may tackle more McCarthy before bed. A friend says reading prose like that takes time. Indeed. You don't curl up with Cormac, that's for sure.

Why not just turn on the radio? Something calm and cool. I'm thinking Ellington, or pre-fusion Miles ("Kind of Blue"). Maybe even a little Buffett.

Whatever it is, that will be me, the guy staying cool by the fan.

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Thursday, August 02, 2007

Just like they did in Key Largo...


"We can find it once again, I know, just like they did in Key Largo." --- Bertie Higgins, "Key Largo."

If I ever get out of work tonight, I think I'm going to fix myself something cold to drink (can you believe this heat?) and watch "Key Largo."

Did ya ever see that movie? Oh, it's a classic. Bogie and Bacall. Need I say more?

Bogie plays Frank McCloud, a World War II vet who shows up in the Keys to visit his buddy's widow and father, Nora and James Temple, played by Lauren Bacall and Lionel Barrymore.

McCloud stumbles into a bad situation. Mobster Johnny Rocco (Edward G. Robinson) and his cronies take over the hotel the Temples run just in time for a big hurricane to hit.

All hell breaks loose and Bogie has to help save the day. Definitely falls into the "they don't make 'em like this anymore" category.

If I can get rid of this headache, I might skip John Huston's picture and read Hemingway's "Islands in the Stream." I need to pretend like I'm on the beach somewhere.

Late summer is good for nothing but a trip to some place cool and/or near the water. Since I'm doing neither this month (I'm going to Michigan), I'll have to get there via the green fields of the mind.

Wish I could have seen Key Largo when Bogie and Bacall made this film, or wandered down to Key West during the time Hemingway spent his days writing there, working on the novel that became "A Farewell to Arms."

(If you want to see American prose reach an ever-elusive perfection, read Papa's short story "A Clean, Well-Lighted Place." Brilliant. Simply brilliant.)

Alas, I'm sitting here in my office, situated as close as I can to the fan, fighting a losing battle with the heat.

Could be worse. At least I'm not breaking my back with those guys widening Emory Road.

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