The song never forgets...

Those of you who read my Shopper column this week (www.ShopperNewsNow.com) will know about my recent visit to Lost and Found Records in North Knoxville. Yep, they still sell (and specialize in) those classic vinyl albums.

My visit made me think about being 5 years old -- and about the Oak Ridge Boys. One of my fondest memories is of Dad bringing me that Oaks album ("The Oak Ridge Boys Deliver!"). My all-time favorite song was "Ozark Mountain Jubilee."

My goal in life wasn't to become a firefighter or a police officer. Nope, I was going to be an Oak Ridge Boy when I grew up. Sad, huh?

It's funny how music can take you back. I've often said that songs have the best memories. You might have forgotten the moment. But the song never does. Trisha Yearwood, the country singer, had a great tune out a few years ago about that very thing.

Whenever I hear William Lee Golden's bittersweet lament to a Missouri childhood, I think about living in the house on Norris Freeway. I recall little pieces of time.

The Fisher-Price record player. Watching the 45 rpm single circle round and around. Waking in the mornings and fighting with all my might not to take a bath. Playing the 8-track out in the laundry room.

I was nuts about music even then. Mom says I could sing Kenny Rogers' "The Gambler" when I was 2 years old. Somebody has a tape of it somewhere. (Geez, talk about blackmail material.)

Tunes can be bittersweet. They remind you of the one that got away, or the one that never was. Happy spring evenings, cold winter nights, the fact that 10 years (or 20) have slipped by in a blink.

Vinyl, 8-track, cassette, CD, digital -- the source doesn't matter (although I still prefer the LP sound). The music remains, the tunes are forever. Time marches on, memories fade, lovers fade away, friends forsake or depart.

But the song never forgets.

Finding the harmony

Remember those childhood dreams? Can you recall what you used to think you wanted to be when you grew up?

You'll laugh at mine. I didn't want to be a writer -- at least, not until later. I didn't want to be a firefighter. Police officer? Only if I could be a private investigator, like Magnum p.i.

No, friends, what I wanted to be, more than anything in the world, was a member of the Oak Ridge Boys.

Quartet music was the first kind of music I ever heard. I'd spend hours as a young pup listening to the Inspirations, J.D. Sumner and the Stamps, the Kingsmen, the Statler Brothers, and of course, the Oaks. My mom took me to see them at Stokely Athletic Center when I was about 6. Part of me ain't been the same since.

I had it all picked out. I wanted to be William Lee Golden -- sans the beard. They'd call me up, say, "Jake, we're coming through Halls, get ready to jump on the bus." And in my 5-year-old glory I'd sing lead on "Ozark Mountain Jubilee" and stay with the group until time to retire.

Dreams die. But love of good music never does.

There's something about that good, old-fashioned four part harmony. It works best if the guys are wearing matching suits and ties. I thought about that, and those long ago dreams, when I went with pals John Hitt and Fred Russell to hear the Triumphant Quartet in South Knoxville tonight.

Oh, they're modern and can't quite match up with the Oaks, or the Statesmen or the Blackwood Brothers. But they're pretty darn close, and definitely the best in their field today.

Perhaps the best singer of the bunch is big Scott Inman, 25 years young, but with a voice like you wouldn't believe. Yes, Triumphant still wears those classic matching suits, too. And, every now and then, they'll pull out one of those classics from yesteryear. They've got a great sound, I know that.

The boys gave up their regular Sunday night show at the old Louise Mandrell Theater in Pigeon Forge. Now, they travel around, singing in churches and at other quartet events, finally able to keep longstanding requests.

I sat in the back and tapped my foot. John was nodding his head. Freddie clapped a whole lot.

Part of me, that little boy from years ago, kept hoping Eric Bennett would call me up on the stage to sing one with the quartet. I'm glad he didn't -- I'm nowhere near in the same ballpark with these guys -- but, oh, how I love the music.

It reminds me of something simple, something a bit more real than all this modern jazz, something I once dreamed about and probably still do on nights with the adult inside me doesn't get in the way.

Thanks for the harmony, fellas. For one cold January night, anyway, the dream was still alive.