'Another Self Portrait'

And so we come to Robert Zimmerman.

You know him better as Bob Dylan, and I have always had an interesting relationship with his music. There was a time when I preferred his songs (and, let's face it, the man is a poet) performed by others.

I have softened on that as I've aged, although it still remains true for at least one song: Joe Cocker's cover of "I Shall Be Released."

Having said that, one of my favorite albums -- one of the 20 or so I would take with me to the proverbial deserted island -- is "Nashville Skyline." I love it so much I have it in several forms -- two vinyls (one sealed), a reel-to-reel tape and a compact disc.

It was with great interest and hopeful curiosity, then, that I purchased "Another Self Portrait (1969-1971)," Vol. 10 in Columbia's Dylan "The Bootleg Series."

I knew I wanted to hear the alternate takes from "Nashville Skyline," and they are here, including "I Threw It All Away" and "Country Pie."

But the true treat is the disc (it's on the deluxe edition) that includes live performances with The Band at Isle of Wight, a few of which I had seen and heard via YouTube videos. Among those highlights are a better-than-the-record version of "I Threw It All Away," and great live versions of "Maggie's Farm," "Wild Mountain Time," "One Too Many Mornings" and "I Dreamed I Saw St. Augustine." Sadly, the live version of "Lay Lady Lay" leaves one longing for the studio cut. I'm not sure why. There are also a slew of Dylan signature songs for the fans, everything from "Like a Rolling Stone" to "Quinn the Eskimo (The Mighty Quinn)" to "Mr. Tambourine Man."

Also of note are the bare-boned cuts from Dylan's often maligned "Self Portrait." The album, full of strings, covers and overblown arrangements, was universally panned upon its release, with one critic actually writing, "What is this s--t?"

Here, we are treated to the raw Dylan sound, and it's almost as if we're hearing a different album while "House Carpenter" or "Thirsty Boots" (one of my favorite songs of the Civil Rights era) play.

The inclusion of the demo of "When I Paint My Masterpiece" has also generated a bit of buzz. As you may know, Dylan gave the tune to The Band, who turned it into one of their signature songs. As usual, hearing it by the songwriter gives it an extra layer of complexity and feeling.

"Another Self Portrait" is a must-have for Dylan devotees and students of American music. But, if you just like music from this particular period or simply want to hear an artist evolve songs from demo to recording sessions, you'll like it, too.

Turns out Dylan painted a masterpiece while everyone was looking elsewhere.

Baby, can you hear me now?

Here's ya a mellow tune for your Friday.

Helpless, helpless, helpless...
Baby can you hear me now?
The chains are locked
and tied across the door,
Baby, sing with me somehow.

'70s flashback: Have a nice day!

Needed something to make me feel better. So, of course, I turned to music. What else, right?

I either have another kidney stone or one hell of a flareup in my SI joint. I feel terrible.

Never fear. I'm back in the '70s again. Listening to "American Top 40" on Sirius/XM '70s on 7 with Casey Kasem, the original broadcast from this date in 1979. Can't wait to hear the No. 1 song!

After Casey's last at-bat, I'm going to put The Band's "The Last Waltz" in the 8-track player, ease back into my Archie Bunker chair, slip on my rose-colored classes and turn up the heating pad.

Music, after all, is magic medicine.

Have a nice day!

'The Last Waltz'

Good news: OK, so I haven't fallen since Wednesday, except for a near-miss last night.

Better news: I've got an ice pack under my left knee and am watching "The Last Waltz" on Blu-ray.

Fantastic doesn't even come close to describing this sweet Scorsese-directed slice of celluloid.

Here's to ya, Levon! RIP, brother.

More to come when I'm feeling better...