The sixth sense

OK, you're going to think I'm nuts.

I don't care. Gotta tell this story.

Don't get the idea I'm a psychic aficionado or anything, but I do believe there's something to Extra Sensory Perception. ESP. See if you agree.

Submitted for your approval:

My friend Ross Southerland came to see me on my birthday. We hadn't talked about anything we'd do beyond eating at Litton's and watching some TV.



When he walked in the door I was watching my favorite movie, the 1969 John Wayne version of "True Grit." (You know, the real one.) I had also laid out a couple of "Magnum, p.i." and classic "Hawaii Five-O" DVDs to show Ross.

He looks at the TV screen, sees the Duke wearing an eye patch, looks in the corner at the stack of DVDs, and says, "You have to open this card now! I wrote this out a few days ago. I'm not kidding."



Sure enough, he had written something like "Happy birthday to Halls' version of 'True Grit'" and then made P.S. remarks about Magnum and Higgins!

We went nuts laughing. I couldn't believe it.

Fast-forward to last night. I'm up late, struggling with insomnia, when I decide to catalog some of my vinyl records. The two artists I catalogued were Elvis and the Carpenters.



When I finished, I decided to check my email. Sent 20 minutes before, while I was cataloguing the records, was an email from Ross -- ABOUT THE NIGHT ELVIS MET KAREN CARPENTER!

I was dumbfounded. Even though it was 1 a.m. I knew Ross is a night owl and would still be up. I called him.

The first words out of my mouth were, "Man, you're not going to believe this."

We went nuts laughing. Again.

Fast-forward to this morning. I'm listening to my iPod while I'm getting ready. Up pops the Carpenters' "Oldies Medley" from their 1973 "Now and Then" album.

I get to work. I tell co-worker Emily, "Hey, I went to Lost and Found Records last night and bought the rest of the Carpenters' vinyl I didn't already have," not yet mentioning my iPod experience earlier.

She says, "The album I remember most from childhood is the one with the frame cover. Didn't they do 'Fun, Fun Fun' on it?"



It was the same medley to which I'd listened this morning. Not kiddin'.

Call it coincidence. Call it the sixth sense. Call it ESP.

Whatever it is, it all happened. Just like that.

Maybe I've entered..."The Twilight Zone."

If a cigarette-holding, dressed-in-a-black-suit Rod Serling pops up and starts narrating, I'm going to the hospital...

UPDATE:After I posted this blog, I was reminded of two pieces of information that REALLY brings all this together. Duke Wayne wanted Karen Carpenter to play Mattie Ross in "True Grit." And Elvis was considered for the role that Glen Campbell ultimately played. How do you like them apples?

Yesterday once more

I may have told you this story before, but in lieu of recent events, here it is again.

Eighth grade, English class, Halls Middle School. I hear the most beautiful voice wafting through the cracks in the dual classroom's partitioned wall. The social studies students next door were watching a documentary about the '70s.


Long ago, and oh, so far away, I fell in love with you before the second show...

My heart jumped into my throat. Chills ran up my spine. Birds sang. Bells rang.

And, right then and there, I fell in love with Karen Carpenter.

Hers was a rare gift, that voice precious and pitch-perfect, intimate, awesome. I thought she was singing straight to my soul.

I bought a Greatest Hits disc and began to appreciate Richard's incredible arrangements as well as Karen's angelic articulation. Soon, I bought every one of The Carpenters' A&M albums as well as a couple of imports, the box set and the recordings Richard released after Karen's tragic death. (You know that story, no doubt.)

I wrote to Richard Carpenter in 1995 or '96. His longtime secretary Evelyn Wallace sent me a sealed vinyl copy of The Carpenters' last studio album, "Made in America." I never opened it.

Yesterday, my friend Amy brought me some rare Carpenters recordings, including ones stripped down to the center channel. Oh. My. God.

I told my friend Chuck it used to bug me to no end whenever a Carpenters record would finish playing on the radio and the disc jockey (remember those?) would say, "And that was Karen Carpenter..."

I would yell, "Well, what about Richard, jackass?"

He's never gotten just due for his genius and that's a damn shame.

Hurry, quick, go watch this concert on YouTube, recorded in Budokan, Japan, in 1974. Savor it. Or devour it. Just go listen.

Call them square, I don't care. If you say that you're just proving you're cynical or stupid or, worse, can't appreciate good music when you hear it.

Yes, I fell in love with Karen Carpenter on a day that does seem long ago and oh so far away. I remember it now and will cherish it forever. That moment is mine and even today, whenever I hear that voice, just like before, it's yesterday once more.

Shoobie doo lang lang.

Long ago and oh so far away...

Halls Middle School, eighth grade, 1991.

I was sitting in an English class, near the back of the room, writing God knows what. Two classrooms were joined together by a partition. I could hear Dave Lewis lecturing next door.

After a few minutes, he showed a video -- one of those "Twentieth Century" documentaries hosted by Linda Ellerbee and a guy who's name I can't remember -- all about 1970.

Then the voice floated into the room. I was so taken by it I couldn't concentrate.

"Long ago, and oh so far away, I fell in love with you, before the second show..."

She was singing just for me, pure and honest, pitch-perfect and full of talent. I couldn't move. You know how it is when a good song envelops you, pulls you in like the undertow of a tidal wave. (This has happened exactly two other times; I'll tell you about them some other time.)

I didn't know her name. I went to the front of the room to ask Mrs. Clapp. I had to know who this singer was that had so stirred my soul.

It was my introduction to Karen Carpenter.

People tell me all the time I'm a walking anachronism. Born out of my time, they say. Kinda corny. Kinda crazy. I plead guilty to all of the above. And there's no good reason why I should have ever been stirred by a singer popular in another generation.

Oh, but that's not true. Talent lasts through the decades, remains just as powerful as it was "back then," rising above the fleeting fly-by-night junk that passes for pop music.

And I took to the Carpenters like peas and carrots.

I was touched by the lyrics, by way she seemed to crawl up into your lap and sing into your ear (to quote Herb Alpert), by the innate sadness in the timbre of Karen Carpenter's voice.

I couldn't get her out of my head. Kept humming what I later learned was a Leon Russell song. Wouldn't let it go.

A few hours later, Dave showed that same video to my class. And I learned all about Karen Carpenter's career, and her struggle with anorexia, and her untimely death at 32.

And, as is my custom, I dove head first into another obsession.

Had to have everything she'd ever recorded. Played it over and over. Ordered rare and out-of-print albums from overseas. All the crazy stuff you do when you're obsessive-compulsive.

What struck me is the all-knowing melancholy of a voice that must have hidden an inner pain. I still find it amazing that she could sing "Rainy Days and Mondays," a lyric that in some ways belongs to a mature performer somewhat weary of life, when she was all of 21 years old. It was as if she already understood something about the world that most of us later wish we'd never learned.

The other night, surfing around on You Tube when I couldn't sleep, I found a clip of Karen singing "Superstar" years ago on the BBC. I was just as taken by it as I had been that spring morning in the eighth grade. I thought back to that too-skinny little boy I was then, painfully backward in his naivete, and wondered how 16 years had slipped away.

And I thought about Karen Carpenter, about the tragic story of her life, and wondered for the 100th time why the special ones seem to leave too soon.