Nights in white satin, never reaching the end...

Quarter to six in the a.m. and I've yet to slumber.

Could have something to do with the migraine meds I took at midnight. Caffeine in it, you know.

Whatever the case, it put me in mind of a Moody Blues tune. You know it, no doubt.

Nights in white satin, never reaching the end...

Thought about it so long that I finally dug out the vinyl. Boy, does it ever sound good, pops and cracks and all.

Actually, if you're careful and clean, vinyl holds up pretty well. And we all know it's the superior sound for any serious audiophile.

Anyhow, the song also brought back memories of the Tim Burton/Johnny Depp "Dark Shadows."

Purists hated it. Audiences went to see some big budget comic book blockbuster that opened in the same cycle. Dime a dozen, they are, and I can't keep track.

I wanted to despise the Burton/Depp "Dark Shadows" but I didn't. The reason I bring it up is because the scene that's stayed with me is the main title sequence. That haunting Moody Blues melody plays as Victoria Winters travels (by train, of course) to Collinsport.

I felt chills during that moment. Not sure why, but I knew then that I would like the movie. And I did. No, it wasn't "Dark Shadows." But it was fine, fun, visually stunning, and threw enough bones to the longtime fan to make one smile.

So now it's almost six and I guess I should get to bed, eh?

Just what I'm going through, they can't understand...

You can go home again

I'll be the first to admit it when I am wrong.

And I was wrong about the Tim Burton-directed new feature film version of "Dark Shadows," starring Johnny Depp as vampire Barnabas Collins.

Turns out you can go home again -- to Collinwood at least -- and it's pretty darn fun.

Let's get one thing straight up front: Whoever came up with the ridiculous trailer for the film should be fired. Today.

"Dark Shadows," Dan Curtis's crazy dream, is sacred territory for some of us. The 1966-71 ABC-TV daytime drama, shown in re-runs for years on and off until 2003, was my favorite television series when I was a teen. To say I was obsessed is an understatement.

And, if you know me well, you know I am a traditionalist. I had been looking forward to this film for years. Both Burton and Depp had been saying all the right things. Burton spent too much time watching the series during its original run. Young Depp wanted to be Barnabas Collins.

"Yes," I said. "They can do this. They can do it. They can do it right."

Then came the terrible trailer. My jaw dropped. My blood boiled.

"Oh, my goodness," I said, (or words to that effect). "They've turned it into a comedic farce."

I was furious.

Then Jonathan Frid, the beloved, first and, yes, still the best Barnabas, passed away. Ironically on Friday the 13th. Ironically just weeks after making a cameo in the film. Ironically just weeks before its opening.

I debated. I fretted. I seethed.

"You have to go see it," Dean Harned said. "You can't write a fair review without going."

He was right. Plus, it was Frid's final role. I owed him that much for getting me through puberty. (Don't blink, or you'll miss him, and Kathryn Leigh Scott, and Knoxville native Lara Parker and David Selby, in the cool cameo.)

Jenn and I were expecting to see two hours of bizarre burlesque.

Instead, what we got, to my eternal delight, was "Dark Shadows."

Yes, it's different. But, yes, the damn thing is "Dark Shadows."

The opening scenes were superb. Young Barnabas comes to America from Liverpool. His father, Joshua, plants the seeds for what becomes the town of Collinsport, Maine. You get to see pre- and post-construction shots of Collinwood.

Enter Angelique, Josette's death, and the infamous Collins curse. Enter a brief bit of Robert Cobert's original score before Danny Elfman's excellent effort.

The waves crash onto the rocks at Widow's Hill. Maggie Evans, no, wait, Victoria Winters (Bella Heathcote) arrives in Collinsport by train, just like Alexandra Moltke did 46 years ago. OK, so you hear "Nights in White Satin" instead of that creepy Bob Cobert tune. But it works. Oh, how it works.

"They did it," I said over and over. "They did it!"

Those laughs about which we were all worried are more about comic relief. This film does what Curtis's dreams didn't or couldn't do. It shows us how our favorite vampire adjusts from the 18th century to 1972.

Depp plays Barnabas just about as right as one can in 2012. He's not quite as guilt-ridden as Frid. But it's enough. More than enough, even.

Michelle Pfeiffer lacks Joan Bennett's grace, but dang it, she's got cousin Elizabeth down pat. Jonny Lee Miller does a dead-on worthless Roger Collins and throws in some Louis Edmonds mannerisms to boot. Carolyn, David, loopy Willie Loomis, Mrs. Johnson, that creepy Collinwood -- it is all here.

Eva Green is a sexy and supercharged Angelique. She plays the role with relish. And, again, it works.

Helena Bonham Carter is an out-there Dr. Julia Hoffman, but it's OK. Hers is more of an homage to the "House of Dark Shadows" (MGM, 1970) Julia than the TV version of Grayson Hall, but, again, it fits.

Heathcote plays Victoria/Josette just the way a die-hard fan would want her to.

It all fits. The songs, the '70s, the house, the homages, the fangs, the fun...it fits.

And the ending? Not the "hey, we might do a sequel" stunt, but the climax on Widow's Hill? Oh, my goodness.

I won't give it away, but I will unashamedly say I shed a tear. It happens. What never transpired on the tube finally, finally happens.

And they did it. Yes, they did it. Tim Burton, Johnny Depp, screenwriters Seth Grahame-Smith and John August, the entire cast, they did it.

Nothing will, nothing can, replace the daytime "Dark Shadows." Jonathan Frid is still the best Barnabas Collins. Always has been, always will be. I can't wait for that gonzo complete series box set to get here in July.

But, yes, my friends, you can go home again. Dust off the cobwebs and come back to Collinwood.

Just do me one favor, Warner Bros. Fire whoever came up with that trailer. If this movie doesn't do the box office business it should, put the blame on them.

Rest in peace, Barnabas

It was with a heavy heart that I heard today that Jonathan Frid, the man who made Barnabas Collins famous on the '60s ABC-TV classic "Dark Shadows," passed away, ironically on Friday the 13th.

A relative said his health was declining in recent weeks and he died peacefully in his sleep.

"Dark Shadows" was my favorite show when I was a kid. The theme song is my cell phone's ringtone.

I'll write more after I have collected my thoughts. I can't help but wonder if this Tim Burton/Johnny Depp train wreck didn't hasten Mr. Frid's death.

Rest in peace, Barnabas. You'll never know how much this kid liked you and adored Dan Curtis's crazy dream.